Marta Minujín is born the 30th of January 1943 in San Telmo, neighbourhood of Buenos Aires, Argentina. Edited with interview by Helga Christoffersen, Massimiliano Gioni. Last edited on 19 December 2020, at 19:45, "Marta Minujín: "El arte es cultura instantánea, "Marta Minujín - Arte Contemporáneo de Buenos Aires", "100,000 Banned Books Have Been Formed Into a 'Parthenon of Books, https://en.wikipedia.org/w/index.php?title=Marta_Minujín&oldid=995200059, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 December 2020, at 19:45. Marta Minujín. A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in Pablo Curatella Manes and Thirty Argentines of the New Generation, a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge. Es hat die Originalgröße des antiken griechischen Tempels auf der Akropolis in Athen, der ästhetisch und politisch das Ideal der ersten Demokratie repräsentiert. Sie arbeitet vorwiegend in den Bereichen weiche Skulptur, Happening, Performance und Video. My Modern Met . Lanaren aurkezpenak iraultza handia ekarri zuen Buenos Airesera. She comes from a middle-class family, and her parents were really strict. Purchasing a shipment of maize, Minujín dramatized the Argentine cost of servicing the foreign debt with a 1985 photo series in which she symbolically handed the maize to Warhol "in payment" for the debt; she never again saw Warhol, who died in 1987. 1978 präsentiert sie auf der Biennale von São Paulo den Obelisco acostado (Liegender Obelisk) und 1979, auf der Feria de las Naciones (Messe der Nationen) von Buenos Aires, den Obelisco de pan dulce (Obelisk aus Panettone). 1941 fing das Fridericianum – das damals noch als eine Bibliothek genutzt wurde – während eines Bombenangriffs der Alliierten Feuer und ein Buchbestand von rund 350.000 Bänden ging verloren.“[5], Babel Tower of books in Buenos Aires (2011), Kasseler Liste (Liste verbotener und zensierter Bücher weltweit), Centro Andaluz de Arte Contemporáneo (Sevilla), documenta: Künstlerin erklärt Hintergründe ihres Werks „Parthenon der Bücher“, Aufruf: Spenden Sie Bücher für den Parthenon der Bücher, https://de.wikipedia.org/w/index.php?title=Marta_Minujín&oldid=200646239, „Creative Commons Attribution/Share Alike“, 2010: 29. Artist: Marta Minujín (Argentine, born 1944) Title: La Victoria de Samotracia cayendo, ca. Sie ließ das demokratische Ideal genau in dem Augenblick zirkulieren, in dem die Militärjunta stürzte. Only fourteen pillars to go! [16], Minujín has continued to display her art pieces and happenings in the Buenos Aires Museum of Modern Art, the National Fine Arts Museum, the ArteBA contemporary art festival Buenos Aires, the Barbican Center, and a vast number of other international galleries and art shows, while continuing to satirize consumer culture (particularly relating to women). Following President Raúl Alfonsín's December 10 inaugural, Minujín had this temple-like structure mounted on a boulevard median along the Ninth of July Avenue. 1990 Medium: unique bronze with black patina Size: 38 x 45 x 12 cm. Marta Minujín. All translations are by the author unless stated otherwise. The latter, a sheet metal creation, was stuffed with cotton and lit, creating a metaphor for the legendary crooner's untimely 1935 death in a Medellín plane crash. He trained as an actor with Cristina Banegas, Julio Chávez, Alberto Ure, Pompeyo Audivert and Guillermo Angelelli. close. Marta Minujín (born 1943) is an Argentine conceptual and performance artist. Januar 1943 in Buenos Aires) ist eine argentinische Konzeptkünstlerin. [10] The Minuphone was designed and constructed, in collaboration with her, by engineer Per Biorn, who was employed at Bell Telephone Laboratories, and the work was shown at the Howard Wise Gallery in New York City. Bd. 1976, in der Zeit der Argentinischen Militärdiktatur kehrte sie zurück in ihr Heimatland.[2]. Read a short essay about Marta Minujín at the post website; Read about works by Marta Minujín at the post website; Exhibitions Transmissions: Art in Eastern Europe and Latin America, 1960–1980. [12] She also created a conceptual proposal for Manhattan based on a prone replica of the Statue of Liberty re-imagined as a public park. Marta Minujín is an acclaimed pioneer of happenings, performance art, soft sculpture, and media arts. As a student in the National University Art Institute, she first exhibited her work in a 1959 show at the Teatro Agón. Available for sale from Herlitzka + Faria, Marta Minujín, Mandela (2014), Fabric painted by hand, 270 × 210 cm Marta Minujín is possibly the most famous artist of the post-war Argentine art scene. "[7], These works earned her a Guggenheim Fellowship in 1966, by which she relocated to New York City. Available for sale from Praxis Prints, Marta Minujín, All the Lovely People (2010), Limited edition silkscreen, 22 2/5 × 29 9/10 in Led by neon lights, groups of eight visitors would encounter rooms with television sets at full blast, couples making love in bed, a cosmetics counter (complete with an attendant), a dental office from which dialing an oversized rotary phone was required to leave, a walk-in freezer with dangling fabrics (suggesting sides of beef), and a mirrored room with black lighting, falling confetti, and the scent of frying food. Juni 2020 um 08:33 Uhr bearbeitet. She comes from a middle-class family, and her parents were really strict. My Modern Met. Courtesy of the artist. [1], Minujín studierte von 1953 bis 1959 Kunst an der Escuela de Bellas Artes Manuel Belgrano und von 1960 bis 1961 Kunstpädagogik an der Escuela Superior de Bellas Artes. [7], While in Paris, Minujín was inspired by the experimental work of the Nouveaux Realistes, and especially their transformation of art into life. La Menesunda. Artistas argentinos en la Piazza San Marco (5790231237).jpg 1,024 × 685; 333 KB. [18], Reading the News (1965). Sep 5, 2015–Jan 3, 2016. Januar 1943 in Buenos Aires) ist eine argentinische Konzeptkünstlerin. Published by New Museum. „The Parthenon of Books“ (1983) realisierte Minujín am 19. 248 ATHEN: Nationales Museum für Zeitgenössische Kunst (EMST ), Marta Minujín, Payment of Greek Debt to Germany with Olives und Art, 2017, Performance, documenta 14, Foto: Mathias Völzke Bd. Mehr als 20.000 Bücher bedeckten die Säulen, Friese und Giebel. Minujín covered the Obelisk of Buenos Aires with ice cream, and three colleagues licked it. Marta first exhibited her artwork in her natal city in 1959. Marta Minujín Marta Minujín with Rubén Santantonín in La Menesunda 1965 ITDT. [15], In 2017, Minujín went on to make a second Partheon of Banned Books in Kassel, Germany. Marta Minujín, The Neon Tunnel, from La Menesunda, 1965 (detail). Mai 1933 im Zuge der sogenannten ‚Aktion wider den undeutschen Geist‘ rund 2.000 Bücher von den Nazis verbrannt wurden. [7], She returned to Argentina in 1976, and afterwards created a series of reproductions of classical Greek sculptures in plaster of paris, as well as miniatures of the Buenos Aires Obelisk carved out of panettone, of the Venus de Milo carved from cheese, and of Tango vocalist Carlos Gardel for a 1981 display in Medellín. She initially studied at the Instituto Universitario Nacional del Arte (now Universidad Nacional de las Artes, or National University of the Arts) until 1960. Today at 7:33 PM. Bienal del Fin del Mundo, Buenos Aires, 2013: 9. Bienal do Mercosul, Porto Alegre. MoMA Latin America in Construction: Architecture 1955–1980. mohrmann | marta minujín’s destructive intervention 65 10 José-Augusto França, Marta Minujín, Lourdes Castro, Alejandro Otero (Paris: 1963), exhibition catalog, Archives of Museo de Arte Moderno, Buenos Aires, folder 31, 16. 1961 gehörte sie zu den argentinischen Teilnehmern der Biennale von Paris. [9], She earned a National Award in 1964 at Buenos Aires' Torcuato di Tella Institute, where she prepared two happenings: Eróticos en technicolor and the interactive Revuélquese y viva (Roll Around in Bed and Live). (15 x 17.7 x 4.7 in.) Malba – Fundación Costantini in Buenos Aires presents a retrospective exhibition of Argentine artist Marta Minujín featuring more than 100 works focused on her historical production from the sixties, seventies and eighties. These displays took her to nearby Montevideo, where she organized Sucesos (Events) at the Uruguayan capital's Tróccoli Stadium with 500 chickens, artists of contrasting physical shape, motorcycles, and other elements. This 1963 creation would be one of her first "Happenings" – events as works of arts in themselves; among her hosts during her stay was Finance Minister Valéry Giscard d'Estaing (later President of France). Installation view: “La Menesunda según Marta Minujín” [La Menesunda according to Marta Minujín], Museo de Arte Moderno de Buenos Aires, 2015. Minujín's We are Many, a mural at the Argentine Public Television Station studios. Samstag, 9. Introduction. Jump into the world of Marta Minujín Marta Minujín in Paris with her work Mattress before destruction. September 2017, um 12 Uhr, läutet Marta Minujín die Verteilung der Bücher an die Bewohner_innen von Kassel und alle Besucher_innen ein. Works 1959-1989 - at the MALBA. [7], The Destruction (1963). Marta Inés Minujín (Buenos Aires, Argentina, 30 de gener de 1943) és una artista plàstica argentina, coneguda per les seves obres avantguardistes produïdes principalment durant els anys 1960, 1970 i 1980. MoMA Information Jul 2–Sep 20, 1970. Ihr Kunstprojekt war Teil der Serie La caída de los mitos universales (Der Sturz der universalen Mythen), in der sich die Künstlerin iko… Similarly to the 1983 Partheon, the books were distributed to people around the world when the work was dismantled. He is the nephew of plastic artist Marta Minujín Career. [7], She joined Rubén Santantonín at the di Tella Institute in 1965 to create La Menesunda (Mayhem), where participants were asked to go through sixteen chambers, each separated by a human-shaped entry. Cô đã gặp một nhà kinh tế trẻ tuổi, Juan Carlos Gómez Sabaini, và kết hôn với anh trong bí mật vào năm 1959; hai vợ chồng có hai con. After studying at the Buenos Aires School of Fine Arts, she exhibited her work from 1957 onwards and held her first solo exhibition in 1959 in the Argentinian capital. She met a young economist, Juan Carlos Gómez Sabaini, and married him in secret in 1959; the couple had two children. Artist Marta Minujín recreates a lifelike replica of the Parthenon from 100,000 banned books. Marta Minujín is possibly the most famous artist of the post-war Argentine art scene. Marta Minujín (* 30. Patrons could enter a telephone booth, dial a number, and be surprised by different effects.[10]. Mit diesem Akt möchte die Künstlerin dem… Mehr. She studied at the national schools of fine arts of Buenos Aires (Escuelas Nacionales de Bellas Artes de Buenos… Marta Minujín: Menesunda Reloaded. Biennale von São Paulo, São Paulo, 2011: 3. Third Floor Visit Us. Das Werk bestand aus einer Konstruktion in Form eines Tempels, die fünfzehn Meter breit, dreißig Meter lang und zwölf Meter hoch war. Finden Sie Kunstwerke und Informationen zu Marta Minujín (argentinisch, 1944) auf artnet. Minujín's colleagues and friends collectively destroyed her works. Text by Zanna Gilbert. See More. She described herself her childhood as “horrible”. Born 1943 into a bourgeois family in the suburbs of Buenos Aires, she received art training very early on. [11] She was on hand in 1971 for the Buenos Aires premiere of Operación Perfume, and in New York, befriended fellow conceptual artist Andy Warhol. Born into a bourgeois family in the suburbs of Buenos Aires, she received art training very early on. Adrián Villar Rojas y Marta Minujín (5786890592).jpg 1,024 × 683; 242 KB. Minujín delved into psychedelic art in New York, of which among her best-known creations was that of the "Minuphone," where patrons could enter a telephone booth, dial a number, and be surprised by colors projecting from the glass panels, sounds, and seeing themselves on a television screen in the floor. 1966 erhielt sie ein Guggenheim-Stipendium und zog nach New York City, wo sie in die Psychedelische Kunst und die Hippiekultur eintauchte. [9] She was awarded the first of a series of Konex Awards, the highest in the Argentine cultural realm, in 1982. Around the world when the work was dismantled Menschenmassen wie die Argentinierin marta with... ) verboten waren the Parthenon of Books: Feier zum Abschluss der Sammlung verbotener Bücher she studied the... By the author unless stated otherwise advertising throughout suggested the influence of pop art Minujín! 685 ; 362 KB 18 ], in 2017, Stahl, Bücher, die fünfzehn Meter,. 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