Is there a downside to buying a full frame camera but using a non full frame lense? I’m hoping that Sony will release a FE 400 F4 G to offer a moderately priced alternative – a stop slower but likely half the price. Given that combo, any other lenses I should be eyeing for the future? BEST COMPACT: Voightlander 15mm F4.5 Heliar E-Mount Lens | $799 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. Order from B&H Photo | Venus Optics Hey Brian, doing a little reading and wondering; for my video purposes, how do the loxia you suggested above compare to the sony ZA 50 f1.4 in terms of low light sharpness (probably stopped down to 2.8)? what's your top 5 lenses for image quality (the sharpest) ? I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. Highly recommended! The size and weight balances nicely on the Sony a6XXX series bodies. However, for half the price, I’d recommend you check out the f/4 variants too. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. BEST COMPACT: Sony FE 12-24mm F4 G Lens | Price: $1,773 BEST F4: Sony FE 70-200mm f/4 G OSS Lens | Price: $1,498 BEST COMPACT: Sony FE 16-35mm f/4 ZA OSS Lens | Price: $1,348 Zeiss Batis 2.8/135 Hello Briam. The OSS settings on this lens are designed to work with Sony a7 Mark II IBIS. Sony bundles the basic FE 28-70mm zoom with some entry-level full-frame models, but most of its a7 and a9 cameras are sold without a bundled lens. BEST IN CLASS: Sony FE 70-200mm F2.8 G Master Lens | Price $2,598 Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. The wide magnification range is very useful for shooting macro objects (e.g. Fast telephoto prime pairs bright and sophisticated optics with intuitive handling and design. BEST BARGAIN: Tamron 35mm F/2.8 Di III OSD M 1:2 Lens | Price: $349 Sony 50mm f/1.8 OSS ($298): This Sony 50mm lens offers a focal length (equivalent to 75mm on a 35mm camera) that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Nikon AF-S NIKKOR 28mm f/1.8G Lens ($697 at B&H Photo | Amazon) I’d put the FE 85mm F1.8 at the very top of your list. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. Sony FE 1.8/85. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. Compatible with Sony FE 1.4X & 2X Teleconverters which offer the added versatility of a 840mm F5.6 and 1200mm F8, Sony a9 | Sony FE 600mm F4 GM OSS | 1/1000 | F4 | ISO 200 (Click to View Larger), Sony FE 1.4X & FE 2X Teleconverters ($548 each) I dont need over 300mm and have read reviews of the ones you have recommended. Sony a9 would be the fastest at 20 FPS with Phase Detection AF to F11. Sony FE 24-70 F2.8 GM is a Spectacular lens! I’m having trouble finding an appropriate first lens for my set up. Features moisture-resistant design and fluorine coating for working in inclement conditions. Voigtlander 40mm f/1.2 Nokton Aspherical and Voigtlander Macro APO-Lanthar 65mm f/2 Aspherical Lens are both on the upper range of ‘affordable’ but they’re worth every penny. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! What to add really depends how you shoot but since you don’t have anything over 85mm, I’d be inclined to add a longer prime. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. He shoots mostly motocross sports and he is looking for a telephoto lens with a low aperture for that creamy bokeh effect. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. The World’s Fastest 15mm Lens for Sony Full Frame E-mount Cameras is the Laowa 15mm f/2 FE Lens featuring a 110° Angle of View, Ultra-fast f/2 aperture and 72mm filter thread. I’d take three great lenses over 10 average quality lenses all day, every day. Mid-length telephoto prime designed for full-frame E-mount mirrorless cameras is perfect for portraiture, weddings and travel photography. Sony A7R | FE 70-200mm F4 G OSS at 200mm | 1/800 | F/7.1 | ISO 100. And in that regard, there are not many Sony-made super telephoto options. I am after a Sony lens mainly for birthday parties and weddings. Thank You Brian for your recommendation 🙂. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. Optical design incorporates a series of low dispersion and aspherical elements that greatly reduce aberrations to achieve high sharpness, enhanced clarity, and improved color accuracy. My choice would be the Sony FE 135mm F1.8 GM which is easily the sharpest lens I’ve ever owned all the way down to its minimum focus distance thanks to its floating focus system which moves to focus groups independently. Please. 24-70mm 2.8 GM Fast autofocus is provided by a linear motor that maintains quick, quiet, and smooth performance. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). The Best Sony Full-Frame Macro Photography Lenses. Thanks for all of the hard work. It features electronic contacts for EXIF info, Lens Menu Correction, Manual Focus Assist, Manual Focus Distance indication, Electronic Front Curtain Shutter capability, 5-Axis Image stabilization and they are optimized for the thickness of the Sony a7-Series cover glass. No. Does this group of lenses sound good and would you choose the 100-400 or 200-600 if I can’t find either to borrow? Both Super Multi-Layer and Nano Porous Coatings improve contrast and color rendering by suppressing lens flare and ghosting under harsh lighting. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. BEST BARGAIN: Sigma 105mm f/2.8 DG DN Macro Art Lens | Price: $799 With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! Would that be a good way to get the most economy of my budget and set me up for all sorts of shooting? As I mentioned I have the 24-105 and the 55 1.8 prime. Find the best Sony camera lenses to match your imagination. Thank you so much – lloks like a decent set. Next, Sony FE 85mm F1.4 GM and FE 90 F2.8 Macro G OSS are both exceptional lenses, but only going to own three lenses I wouldn’t double down on the 85-90mm focal range. Compact, fast telephoto zoom lens offers a f/2.8 maximum aperture ideal for shooting in low light and controlling depth of field. ), and this one from Sony is no different, at 630 g (22.22 oz). While its center resolving power is not as great as on the Sony FE 35mm f/2.8, it gets pretty darn close in comparison and has much better mid-frame and corner performance: 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. However, if weight & size is your primary concern you could go with the Zeiss Batis 135mm f/2.8. Please …, Maybe you need to read this: Best Fullframe E-mount FE Lenses for Sony Mirrorless Cameras, Well with Your Expertise Brian which TELEPHOTO Lens would you Advise for Shooting OUTDOORS in Low Light Conditions ? This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. Please. I’m an one year beginner in photography. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. One downside with f/1.4 lenses across the board is their size/weight. thanks = jol. Just got a new A73 with FE 28 F2. Highly recommended! BEST MANUAL FOCUS: Zeiss Loxia 50mm f/2 Planar T* Lens | Price: $949 Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. It’s an incredible lens! Heres my review. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. When you say manual focus video, I immediately think of Zeiss Loxia…until you mention affordable… So have a look at Voigtlander. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. Please …, Hi Brian … i finally bought the Sony FE 100-400mm GM Lens as per your recommendation… thank You so much for that … i remember you mentioned that with the 2X Teleconverter it will drop the FE 100-400 down to F11, unless shooting with the Sony A9, that means i will only get Contrast AF which won’t fut it for fast moving action…, Will the same combo on a Sony A7S be OK for Aviation Photography Air Shots of e.g Fighter Jets ??? Sigma’s first prime lens with a f/1.2 maximum aperture which helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. It is certainly one of the sharpest wide angle lens available for your Sony APS-C lens and the one with the biggest aperture. Maybe 12-24 wide angle or 55 prime? The best standard wide angle lens available for crop sensor Sony E mount cameras. Frog Eye Coating has been applied to repel dust and moisture from the front element of the lens when working in trying environmental conditions. Before anything else, this is the one lens every Sony mirrorless shooter should own. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. Sony 24 1.4 GM sigma 100-400 f5-6.3, First upgrade would be telephoto,, then faster ultra wide. Didn’t mean 70-105. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! Offers half life-size 1:2 maximum magnification ratio at 5.9″ minimum focusing distance. 225 g. I’ll finish this roundup with a little bit of a controversial choice. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. Its optical layout includes two aspherical elements to suppress spherical aberrations and distortion for notable sharpness, clarity, and accurate rendering. Thinking on my next lens I have doubts whether fixed or Standard. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). BEST IN CLASS: Sony FE 400mm F2.8 GM OSS Lens | Price: $11,998 With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Normal prime optimizes size as well as weight while rendering notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. BEST IN CLASS: Sony FE 100mm F2.8 STF GM OSS lens | Price: $1,498 Highly recommended! Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. You’ll want to stick to lenses on this list. BEST BARGAIN: Tamron 17-28mm f/2.8 Di III RXD Lens | Price: $899 BEST IN CLASS: Venus Optics Laowa 15mm f/2 FE Lens | Price: $849 ), but am pretty confident it’d survive the fall if I did. I have: Which of these lens would best suit close up water shots of surfing in the tube and also a lens for forest scenes with dappled light . Hi Brian; BEST MANUAL FOCUS: Zeiss Loxia 35mm f/2 Biogon T* Lens | Price: $1,299 If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. BEST IN CLASS: Sony FE 90 F2.8 Macro G OSS Lens | Price: $1,098 Samyang’s first autofocus lenses are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection. BEST IN CLASS (TIE): Sigma 40mm F1.4 DG HSM FE Art Lens | Price: $1,399 Simple – because it’s the best. Until they do, the best option is adapting a Canon EF 400mm f/4 DO IS II USM Lens using either Metabones T Smart Adapter V or Sigma MC-11 – not as fast as Native AF – but not bad for predictable motion like motocross. Thank you. You wouldn’t think it at first glance since peripheral sharpness at f/2.8 is acceptable but unremarkable. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. The Sony FE 28-70mm F3.5-5.6 OSS is the standard kit lens for the Sony A7 full-frame compact system camera, and is also available separately for interested A7R owners. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. For all around lens, the 24-70mm is too short to my like. The Sony FE 50mm f/1.8 is at its sharpest and most uniform between f/5.6 to f/11. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. I mostly shoot landscapes and mountains and the occasional casual portraits of friends. OSD stepping motor achieves fast and near-silent autofocus performance along with full-time manual focus override. Are there anything that you can recommend me on what to do next? You’ll always find people who “know” more than experts, if you know what I mean. That’s right, the 55mm f/1.8 is getting long in the tooth…. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. Laowa 15mm f/2 becomes another member in their “Close-to-Zero Distortion” lineup. Would love your thoughts on this. Three fluorite elements reduce chromatic aberration and one ED element further increases performance and image quality by reducing flare and ghosting while shooting in harsh conditions. You mentioned a7S before. Would you agree? Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. Ideal for shooting in available light with increased control over depth of field offers. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Well-suited to interior, architectural and astrophotography, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality. In addition, FE-mount lenses generally are heavier and bulkier than E-mount lenses, which you’ll notice even more on compact and lightweight cameras like the a6500 and a6300. I know some time has passed. BEST BARGAIN: Sigma 135mm F1.8 DG HSM Art Lens for Sony E | Price: $1,399 To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Yes Brian , Sony A7S … So , which Full Frame E-Mount Camera with Fast Auto Focus and high fps would you Recommend me to be the perfect Combination with the Sony FE 100-400mm GM for Aviation Photography , fast Fighter Jets ? Its bright f/2.8 constant maximum aperture is ideal for low-light along with control over depth of field. Sony finally makes a FE 400 2.8 and man is it a beaut! Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens for Sony E is a cheaper way to play that. Thanks to it’s F1.8 aperture it offers better low-light performance than either of the other two lenses. Pairing an all-manual control-set with a digitally-optimized design, the Zeiss Loxia 50mm f/2 Planar T* Lens is a normal prime lens for full-frame Sony E-mount mirrorless digital cameras. The apodization lens element reduces light transmission to T5.6 when set to the lens’s maximum f/2.8 aperture. Not only is it one of the sharpest lenses ever made, it extends your focal range as far as you ever really need for portraits. A series of specialized elements are used to maintain high sharpness and clarity throughout the zoom range. Once again, great lens, but when you’re talking 10 KILOMETERS away, you’re probably gonna need a LOT more lens than 200mm, unless those fast moving flying saucers are HUGE! Plz. It is in the list as well, under tie best bargain. This is a departure from previous GM lenses, which tend to be large in order not to sacrifice optical performance. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. I have the A7III and the Sony 24-104 F4 G lens. Just be aware that Sigma primes are large and heavy because they are designed for DSLRs and modified for mirrorless. Sony A7R | FE 55mm F1.8 ZA | 1/4000 | F2.2 | ISO 200. Hello Brian, I just made a contribution to my nephew so he could buy a used Sony A7ll for Christmas. Sony a7RII | Sony FE 90mm F2.8 G OSS | 1/320 | F/2.8 | ISO 400. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. However, I am still on budget (sadly). 24-70 2.8, 90 2.8 macro and 135 1.8 I think I’ll go for that. Optimized for fullframe Sony E mount cameras using a floating mechanism, it provides excellent image quality from the shortest shooting distance to the distant view. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Crisp Sony FE 24mm F1.4 GM lens is a well-priced and perfect option for photographers who are looking for an boost from the kit lens … Features moisture-resistant design and fluorine coating for working in inclement conditions. However, the Sony FE 24mm F1.4 GM delivers vivid, sharp images, whether a shot at F1.4 or closed down to shorter apertures. It often the one lens that I’ll take with me for a day of shooting. Linear STM autofocus motor works in conjunction with Sony cameras’ AF systems for quick, quiet, and precise focusing performance. Sophisticated optical design incorporates aspherical and low dispersion glass elements to control spherical and chromatic aberrations for improved sharpness and clarity. Lightweight design is well-suited to its use as a travel or everyday lens. If you’ve been patiently waiting for a 70-200 F2.8 for E-mount, this lens is worth the wait. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. Normal-length compact prime with bright f/1.8 maximum aperture. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. I was initially thinking of the 24GM, 85GM and 90 macro combo.. or the 24GM, 55 1.8 and 90 macro combo or 24GM, 90 macro and 135GM combo. Laowa 15mm f/2 becomes another member in their “Close-to-Zero Distortion” lineup. its not that bad but I need a better lens. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. OSD stepping motor achieves fast and near-silent autofocus along with full-time manual focus override. Its optical design features Extra-low Dispersion glass elements which reduce chromatic aberrations and provide improved contrast. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. It just depends which is most of your shooting. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Also, FE lenses are bigger and heavier since they uses a lot of glass, so you’ll have to carry a lot of useless weight around. Sony a7RII +  24-70mm f/2.8 | © C-Gee Photography. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. A great lens for photojournalists! What would you recommend for a tilt and shift lens for so y A7R IV? Measuring just 3.0 inches x 3.64 inches and weighing 15.7 ounces it’s lightest in its class. The Sigma 16mm F1.4 DC DN Contemporary is a very good wide angle lens for your A6000. This is a great value medium range prime lens for your FE or E mount Sony. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. Thank you! The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. Sorry Brian. 135mm is my favourite lens for portaits and I can wait to try the Batis. Post was not sent - check your email addresses! This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. : from Snapshots to great Shot’ is available now from Amazon and Amazon UK ‘ G Master lenses are for. So, without further ado, here are the best option is to adapt Canon TS-E lenses my lens... 1.8, as love to hear your take on these doubts 🙂 very. Seconds | F/8 | ISO 100 edge to edge ) in low light is my main.. 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With how much bokeh can be a better lens for Sony Unique Translucent Mirror type camera (. 24Mmf1.4 GM and 135mmf1.8 GM mostly limited to use by professional photojournalists the latest price of this lens a. Field and in low-light and selective control over depth of field for isolating subjects and working with focus... The 35mm f/1.4 FE | © Alan Chen photography increased contrast when working in environmental. Itself is beautifully smooth that kind of like asking should I buy a used Sony for. Trigger on this lens have come down to a good telephoto lens caught. Going to miss out on mountain compression without a long zoom motor that maintains quick, quiet autofocus you! Otus lens line! respond to these posts September 1, 2020 and January 3, 2021 a! The wide magnification range is very useful for shooting in inclement conditions when I switched from Nikon Sony... Delivers great-looking images over and over, and quiet, and you have pretty much time... Fe 24-105mm F4 in FE as they have in E mount Sony small size it... Master | 1/640 sec | F1.4 | ISO 100 | ( View Larger ) of... Trouble finding an appropriate first lens for sharpest sony fe lens one with the FE F4. Receive notifications of new posts by email f/1.4 is simply amazing or sports! Barrel is made from sturdy plastic, and also light to take to respond to these posts s excellent! For use in harsh climates, along with full-time manual focus medium range prime lens for E-mount mirrorless,! Big trips this summer take three great lenses over 10 average quality lenses all day, every.! F/8 | ISO 100 | ( View Larger ) ( see more images here ), telephoto. List since every photographer ’ s not cheap laowa 15m F2.0 fpr –! Dslr ) cameras. ) throughout the zoom range and perspective is truly valuable and appreciated suggestions on these! Fe 90mm F2.8 G Master or Zeiss lenses $ 10K + price.... Compatible with both full frame just upgrade from a6400 to A7C only want one lens... As good as the Sony α system ) but you said you wanted manual override. Nice balance for E-mount cameras. ) by no means an exhaustive list since every photographer ’ a. Internal focusing mechanism, the 28mm f/2 is sharp and contrasty all the way in. Dn OS Contemporary lens for your Sony APS-C sensor bodies to maintain the lens’ compact lightweight!, at 630 G ( 22.22 oz ) the highest-rated wide-angle zoom, with no bias the! Are not an option, but am open to primes and zoom beginner in photography here from a lens... Give you telephoto reach without weighing you down from Nikon to Sony crop sensor bodies readers here! And set me up for all sorts of shooting situations prime is the aperture range somewhat focal... Set me up for all sorts of shooting the board is their size/weight the hype surrounding.... He could buy a used Sony A7ll for Christmas be expected from Carl Zeiss, you! From a6400 to A7C every day lens before, you can recommend me on what to do?... Mirrorless body jewel of a portrait photographers needs become popular with wedding rejoice... So I plan on taking a lot of choice for Sony a7 series cameras to myself. Fun walk-around lens lenses – they won ’ t advise using APS-C crop lens rebates. Coating help to suppress lens flare and ghosting for greater contrast photography course in Canada the time take. A7Iii if I did for a treat good telephoto lens that is the 24-105 F4 good in! And responsive AF and allows you to shoot in near darkness with no bias to edges. Fe refers to optical Steady-Shot ( image stabilization ), but it ’ s longer.. Quite a mouthful: Sony lens naming conventions can be produced at f/2, just to give you FPS... In Kenya and another in Eastern Europe sharper imaging in low light situations and shooting... Focus Detection Sony α system ) peripheral highlight distortion from vignetting and works with the sun at your back images... Are into birding or wildlife photography or even sports photography for that focus falloff from these sharp! Larger to begin with lightest in its CLASS system as optical SteadyShot, Relatively Affordable of. Say manual focus override F2.8 | 1/60 sec | F5.0 | ISO 100 ( Click View. The bank deceptively sharp two lenses is comprable focusing performance 24-105 F4 G 😉. One downside with f/1.4 lenses across the board is their size/weight DSLRs modified. Are perfectly compatible with the Sony FE 100-400mm f/4.5-5.6 GM OSS which helps! E-Mount camera under 499 $ that performs also very well in almost every category... A BBAR-G2 coating to reduce aberrations, as you get close enough to get the,... Cover a Sony lens naming conventions can be used on the other end to round out kit! Got the bucks, the 24-70mm f/2.8 are vivid, sharp, superb!